Rihanna work meaning11/13/2022 ![]() ![]() Her sensuality is a celebratory one, and though the male gaze is ever-present, it’s at least at arm’s length for now. Rihanna is my favorite mainstream example of a Black woman, not interested in dating at the moment, who still presents a version of empowerment that is deeply, joyously and intentionally sexual in the face of everything. Their pairing is the focus only if and when Rihanna feels like playing around with the idea. ![]() If you put #AubRih aside for three minutes and 39 seconds, it becomes clear that Drake is just the feature artist. Even in the second video, Drake isn’t really set as the love interest-despite the pink lighting and coupling in the latter half of the video. In both of Rihanna’s videos, “fun” looks like expressing one’s sexuality and sensuality to whatever degree that individual desires, regardless of who is or isn’t around, regardless of who is or isn’t watching-although any of those details can make the experience more exciting. ![]() In an interview with The Fader, the director of Rihanna’s first “Work” video, Director X, explains, “Dancing and sex are tied together in America-if you’re dancing with somebody that means you’re sleeping with somebody… In West Indian culture, you’re dancing with someone because you’re dancing with someone. Drake is present in both videos, but he’s not the deciding factor regarding how Rih dances, or why. This doesn’t mean that the male gaze isn’t present, or even very involved, but it does suggest that in this case, the male gaze is not the ultimate prize. Her sexuality is about how sexy she knows she is, and how much she enjoys putting on a show-be it for Drake, her fellow dancers at the restaurant, or herself in the mirror. The kind of autonomy on display in Rihanna’s videos embodies a female-ness that rejects this. Not only does this perpetuate out-dated understandings of both genders, it also reinforces a binary model that refuses to place gender on a spectrum. The definition of one depends singularly on our constructed understanding of the other. The borders of masculinity are defined by the lack of femininity. Men are men, specifically because they’re not women. So part of deconstructing patriarchy involves us interrogating the self-consolidating patterns that the gender binary depends on in order to exist. Autonomy is about your body’s physical agency and the way you see yourself, and it’s also about having the right to define all those things for yourself, without anyone else’s input or involvement.īut in order for patriarchy to work, no one can be allowed space to develop any understanding of gender that isn’t specifically related to masculinity. We still need to talk about autonomy as it relates to consent, for example, but autonomy also involves a woman’s right to take up space, and the ability to manipulate the boundaries of that space at her whim. Instead, it’s also worth focusing on the kind of autonomy that Rihanna demonstrates in this video, one that is more complicated than the traditional, mainstream and flattened dialogue around choice. But eh…Rihanna and Drake’s chemistry was the least interesting part of either video. Drake does get up for his verse, of course, and the two do interact with each other a few times. ![]() Rih spends most of the video dancing and singing while Drake remains largely inconspicuous in the background, trying his best to look unaffected and frequently failing. The second video is much more stripped down-it’s just Rihanna and Drake in a pink-lit room. The rest of the song is basically all the best parts of a West Indian fête sans tourists. As the beat drops, the camera pans over Rih whining in front of a mirror in the middle of the restaurant-turned-dance floor. The first video opens with Rihanna, clad in a pink, hooded fur coat, walking into a West Indian restaurant. Both videos for “Work” put her agency on full display. One of the many reasons I love/adore/volunteer my edges to Rihanna is because of the kind of female autonomy she represents and effortlessly demonstrates. In the midst of a welcome flurry of new singles, videos, entire albums (Frank, come on, fam) and stunning performances, Monday saw the release of both of Rihanna’s music videos for her rhythmic iffiancehall single, Work. February has been a jam-packed month for Black musical artists. ![]()
0 Comments
Leave a Reply.AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |